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“…Therefore its paint-brush leads to us, onlooker, between the warm ways of Saint Gimignano, red of history or nocturnal of china, tclose to the forests to butterfly leaves, in the bluesy stormy or the green infinite of the young grain fields. With its chromatics it succeeds, much better than how much it is not possible to the historian, to evoke the thickness of the time inborn in the things, their meant ucronic of compendium. Therefore thanks to the light, before between ‘pieces’ of the creation – also of that artistic one – it expresses the immaterial substance of the duration, the patina of becoming, the essence of the generations that that time they have crossed and lived covering the same places and watching the same colours.”