Veduta di Siena – passo per passo

Posted by Alessandro Andreuccetti in 1. Watercolours, Materiali on 10 9th, 2008 | 3 responses

Materiali utilizzati:

- Carta Arches, blocco da 20 fogli, cm 31 x 41- 300 g/mq

- pennelli Arches (Raphael) – petit gris

- colori Cotman

Passaggio n.1: disegno a matita, poche tracce tanto per inquadrare il soggetto; quindi una prima passata con il colore di base – Terra di Siena naturale e Giallo di cadmio

Passaggio n.2: stesura di campiture di colore a macchie – Terra di Siena bruciata e Rosso carminio

Passaggio n.3: ancora stesura di campiture di colore a macchie e definizione di alcuni particolari

Passaggio n.4: maggior dettaglio nei primi piani – nasce il problema di una torre leggermente pendente sul lato destro dell’immagine. Per correggere il difetto si passa un pennello pulito imbevuto di acqua pulita sulla parte da correggere, poi con un kleenex si asciuga e si ripete l’operazione finché il colore non è scomparso.

Poi con la carta asciutta si può ripristinare il dipinto con nuovo colore.

Passaggio finale:

3 Responses to “Veduta di Siena – passo per passo”

Laura scrive:

sab ott 2008 alle 00:07

This is GORGEOUS!! How lovely to be able to see the various stages of its creation.
Mineke scrive:

gio dic 2008 alle 05:47

Beautiful work. Thanks for showing the step-by-step, too.
Alessandro Andreuccetti scrive:

gio dic 2008 alle 12:01

Thank you Mineke, just visited your site and found such a beautiful paintings. I will follow your blog.

about me

Alessandro Andreuccetti is born in San Gimignano, Italy, July 28, 1955. He studied art and architecture in Florence and, after graduating, started his job in 1980 as a graphic designer. From 1978 he was interested in watermedia painting, fascinated with this technique and the support of hand-worked paper. He was showing paintings in many italian towns. On 1983 he won the 1th prize at “Concorso nazionale del fumetto e del Fantastico di Prato” and he started to collaborate with Sergio Micheli of University of Siena and the editor Nerbini of Florence to realize comics and illustrations. He published two graphic novels and many illustrations for various books. In parallel with the graphical activity, it continues its artistic surveying searching in the landscapes and the figures taken to model the forms and the colours to amalgamate in new perfectly independent compositions, as it has had way to emphasize the university professor Anna Benvenuti: “…Therefore its paint-brush leads to us, onlooker, between the warm ways of Saint Gimignano, red of history or nocturnal of china, tclose to the forests to butterfly leaves, in the bluesy stormy or the green infinite of the young grain fields. With its chromatics it succeeds, much better than how much it is not possible to the historian, to evoke the thickness of the time inborn in the things, their meant ucronic of compendium. Therefore thanks to the light, before between ‘pieces’ of the creation - also of that artistic one - it expresses the immaterial substance of the duration, the patina of becoming, the essence of the generations that that time they have crossed and lived covering the same places and watching the same colours.”

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